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Taylor Kibby lives and works in Los Angeles, California. She was educated at Bard College Simon’s Rock, Massachusetts before graduating with an MFA in Applied Craft and Design from Pacific Northwest College of Art and Oregon College of Art and Craft. Kibby is known for her intricate, flowing stoneware sculptures, which are moulded in interlocking links of a remarkable lightness and delicacy, making them resemble woven chains. As seen in the work of Ruth Asawa or Eva Hesse, Kibby’s intricate, flowing abstract sculptures challenge traditional notions of sculpture and solidity, requiring intensive discipline and precision to create. Kibby’s interest in chain links is rooted in their potential to reflect the way objects and people occupy space in the world as well as notions of memory, identity, and narrative.
Kibby has been featured in group exhibitions at Anderson Ranch Arts Center, Snowmass, CO (2021), Craig Krull Gallery, Los Angeles (2021), Egg Collective, NYC (2021, 2022), Maho Kubota, Tokyo (2021), NonFinito Gallery, New York (2019); A-B Projects, Los Angeles (2019); Emma Scully Gallery, Los Angeles (2018). Her work is held in various significant private collections internationally and in the public collection of the Santa Monica Proper Hotel, Los Angeles.
"No energy is ever created or destroyed, it simply passes from one form to another. Through this work I am looking at ways to apply this belief to the world around me; how do we give and take space in the same breath. How does the cycle of constructing and dismantling our sense of self evolve and how can this process engender moments of curiosity and awareness? I want to make space, through material-based exploration, a green door to moments of reflection and discovery."
Taylor Kibby
Taylor Kibby was born in San Francisco. She currently lives and works in Los Angeles.
2018
Oregon College of Art and Craft & Pacific Northwest College of Art: MFA Applied Craft and Design
2014
Johnson & Wales University, BS in Baking and Pastry
2012
Bard College at Simon’s Rock, AA
2022
‘Of Rope and Chain’, Bakersfield Musuem of Art, Bakersfield, CA
‘Les Trames du Possible’, Amélie, Maison d’art, Paris, France
‘In All Things A Trace’, Egg Collective, New York, NY
‘With/in with/out’, These Days, LA, curated by Calli Webb, Los Angeles, CA
‘Woman Made’, Surface Area, curated by Samantha Ehrlich, Miami, FL
2021
‘Solidarity and Solitude’, Fall 2021 Resident Artist Show Anderson Ranch Arts Center, Snowmass Village, CO
‘Interconnected’, John Wolf, Los Angeles, CA
‘Of rope and chain her bones are made’, Craig Krull Gallery, Santa Monica, CA
‘Resilience’, Art, antique and objects curated by Kojiro Nagumo, Maho Kubota Gallery, Tokyo, Japan
‘Support Systems’, Egg Collective, New York, NY
2020
‘An Unbound Chain’, Egg Collective, New York, NY
‘TOKYO 2020’, Maho Kubota Gallery, Tokyo, Japan
2019
‘Out of the Box’, NonFinito Gallery, New York, NY
‘The Stacks’, A-B Projects, Los Angeles, CA
2018
‘Hall of Mirrors’, Emma Scully Gallery, Los Angeles, CA.
‘Both of Them of The Earth’, Jorge Mendez Gallery, Palm Springs, CA
2021
Fall Resident, Anderson Ranch Arts Center, Snowmass,CO
Summer Resident Artist, Township 10, Marshall, NC
Juror for Township 10 2022 Residency Applications
Hopper Prize Finalist
2018
Summer Resident, Watershed Center for Ceramic Arts,Newcastle, ME (scholarship awardee)
2017
Anderson Ranch AC+D Scholarship + workshop, Snowmass, CO
2021
Lita Barrie, “Meaning in the Handmaking: Nine LA Women Sculptors and Textile Artists at Craig Krull Gallery", Whitehot Magazine, May 2021
Peter Frank, ; “Of rope and chain her bones are made” at Craig Krull, Whitehot Magazine, June 2021
Hopper Prize Finalist Interview, “Taylor Kibby”, April 2021
2019
Max Berlinger, “A design dealer who lives among his wares’, T Magazine, December 4, 2019
Linda Usher Private Collection, Beth DeWoody Private Collection,
Alison Deighton Private Collection, Santa Monica Proper Hotel Collection